• 2-rack-space stereo power amp featuring DDT
• 2 temperature-dependant variable speed fans
• 1550 watts (RMS) per channel at 2 ohms
• 1065 watts (RMS) per channel at 4 ohms
• 650 watts per channel at 8 ohms
• 3100 watts at 4 ohms bridged
  

One of this mixer's innovations is Automix™ technology, an automatic mixing function provided on the first four channels. Once engaged, Automix monitors the levels on these channels and automatically turns down unused or low priority inputs to give dominance to the main microphone, minimizing ambient noise and feedback. The S-14 also includes a built-in Feedback Ferret® automatic digital feedback elimination system on the Main and Monitor 1 outputs. The Feedback Ferret applies a narrow notch filter on specific problem frequencies to eliminate feedback without sacrificing tonal quality. The device continuously checks and rechecks the designated problem frequencies and then releases the filter(s) when it no longer detects feedback.

Another feature unique to the S-14 is Mid-Morph equalization, which is actually two EQ controls in one. When the knob is cut, it pulls out low-mid frequencies that muddy the sound; when boosted, it shifts to an upper-mid frequency that brightens the vocal range. Every channel includes Mid-Morph EQ as well as normal low and high EQ.

The stereo line channels also accommodate split-accompaniment audio tracks. The accompaniment can be played to the main system in stereo or from the left or right inputs, while the Monitor Blend control allows any mix of vocals and accompaniment to be sent to the monitors.

In addition, the S-14 features digital reverb with four presets and a mute; vocal enhancer; compression; phantom power and much more.

One of this mixer's innovations is Automix™ technology, an automatic mixing function provided on the first four channels. Once engaged, Automix monitors the levels on these channels and automatically turns down unused or low priority inputs to give dominance to the main microphone, minimizing ambient noise and feedback. The S-14 also includes a built-in Feedback Ferret® automatic digital feedback elimination system on the Main and Monitor 1 outputs. The Feedback Ferret applies a narrow notch filter on specific problem frequencies to eliminate feedback without sacrificing tonal quality. The device continuously checks and rechecks the designated problem frequencies and then releases the filter(s) when it no longer detects feedback.

Another feature unique to the S-14 is Mid-Morph equalization, which is actually two EQ controls in one. When the knob is cut, it pulls out low-mid frequencies that muddy the sound; when boosted, it shifts to an upper-mid frequency that brightens the vocal range. Every channel includes Mid-Morph EQ as well as normal low and high EQ.

The stereo line channels also accommodate split-accompaniment audio tracks. The accompaniment can be played to the main system in stereo or from the left or right inputs, while the Monitor Blend control allows any mix of vocals and accompaniment to be sent to the monitors.

In addition, the S-14 features digital reverb with four presets and a mute; vocal enhancer; compression and much more.

One of the S-24's innovations is Automix™, an automatic mixing function provided on the first four channels. Once set up is complete, the automatic mixer watches the incoming levels and automatically turns down unused and low priority inputs to give dominance to the main microphone. This gain-sharing Automix technology makes the S-24 a natural for churches, auditoriums and small conference rooms because it simplifies operation, reduces feedback and improves intelligibility. A compression circuit on these patent-pending channels helps keep things from getting too loud, and 18 dB/octave low-cut filters remove rumble and handling noise.

Another feature unique to Peavey Electronics is a new type of mid-equalization control called the Mid-Morph™(patent pending). This control is actually two mid controls in one. When cut, it pulls out low-mid frequencies that causes the sound to be thick and muddy; when boosted, it shifts to an upper-mid frequency that brightens the vocal range.

All channels have three band equalization, assignment selection, mute and post-fader sends to Monitor 1 and Monitor 2. The first 18 channels also have sends to the internal effects. LEDs light to show the presence of signal and the status of the channel. The microphone preamps use our highly acclaimed low noise discrete transistor circuitry.

• 150 watts into 4-ohm (2 x 8 ohm) speakers
• 8 balanced XLR microphone inputs
• Tape/CD inputs
• Reverb level control on each channel
• Line Out for connection to external amplifiers
• Return input for connection of external effects processors
• Record Out for taping
• RF interference protection on all inputs.

• 100 watts into 4 ohm (2 x 8 ohm) speakers
• 4 balanced XLR mic inputs
• Tape/CD inputs
• 10 total inputs
• Reverb control on each channel
• Line Out for connection to external amplifiers
• Record Out for taping
• RF interference protection on all inputs.

Yamaha EMX5014C 14-Input Stereo Powered Mixer Features:

• 14-input, 10-channel mixer
• Single-knob compressor on first 6 channels
• FCL (Feedback Channel Locater) system
• 80Hz high-pass filters for eliminating low-frequency rumble
• Channel on/off switch on each channel
• Channel PFL switches
• Peak and signal indicators on all input channels
• Linear Aux 1 and Aux2, and Effect return faders with AFL switches
• Stereo master faders with PFL and AFL monitor switches
• Limiter indicators signal limiter activation due to power amp overload
• Speakon and 1/4" phone jack speaker output connectors
• Power amplifier output selector: 500W, 200W, or 75W per channel
• YSP (Yamaha Speaker Processing)

Flexible power
The power mode switch lets you use the dual power channels as a stereo amplifier, or use one channel for the main speakers and one for the monitors, with separate monitor mix setup via the channel MONITOR controls.

SPX digital effects
16 Yamaha SPX effects-including reverb, echo, chorus, flanger, phaser, and even distortion-let you add the finishing touches to your live presentation.

Graphic EQs
Graphic equalizers are provided for both the main and monitor power channels so you can effectively control feedback or tailor the sound to match the room and program material.

Input options
The EMX512SC offers a total of 12 input channels-4 for monaural microphone (with phantom power) or line input, plus 4 pairs that can function either as monaural mic inputs or stereo line inputs-providing a versatile mix of input capabilities for a wide range of applications. If only mic inputs are needed, you can use up to 8 mic channels. If you want to play recorded background music during breaks using a stereo input, and have a keyboard player with stereo outputs, you still have 6 mic/line inputs available. If all 4 stereo pairs are used to handle stereo line sources, you still have 4 channels available for mono mic or line input. It's a versatile system that can adapt to your needs with ease!

Yamaha Speaker Processing
Yamaha Speaker Processing (YSP) provides optimized matching with speakers, for clean, solid reproduction that will deliver your music with maximum impact.

FCL (Feedback Channel Locator) system
The Yamaha FCL (Feedback Channel Locating) system makes locating and eliminating feedback easier than ever. FCL indicators provided on each input channel indicate which channel feedback is occurring in, so you can identify it visually and adjust levels or EQ as required. Another handy features is a Standby switch that mutes channels 1 through 8 so that, for example, after rehearsal or between sets you can mute performer's inputs 1 through 8 without having to change fader settings, while stereo inputs 9 through 12 remain active for background music playback.

Durable, lightweight design
At only 22 pounds and equipped with conveniently located handles, the EMX512S is easy to transport. It's built to withstand the rigors of the road and deliver reliable performance, night after night.

Yamaha EMX512SC Powered Mixer Features:

• Dual 500W amps
• Power mode switch allows amps to function in stereo, or as separate mono channels for mains and monitors
• 16 SPX digital effects including reverb, echo, chorus, flanger, phaser, and distortion
• FCL (Feedback Channel Locator) system
• 7-band graphic EQs for main and monitor power channels: 125Hz, 250 Hz, 500 Hz, 1kHz, 2kHz, 4kHz, 8 kHz, +12/-12 dB
• 3-band EQ per input channel
• 12 input channels: 4 for monaural microphone (with phantom power and one-knob compression) or line input, 4 pairs that can function either as monaural mic inputs or stereo line inputs
• Single knob compression on first 4 channels
• YSP (Yamaha Speaker Processing)
• Speakon and 1/4" phone jack speaker output connectors
• Durable, lightweight design